Francesca Caccini : La liberazione di Ruggiero dall'isola d'Alcina
2018 | Sony Music | Deutsche Harmonia Mundi

CD info
Francesca Caccini (1587 - after 1641)
La liberazione di Ruggiero dall'isola d'Alcina
Balletto con prologo a tre scene - Libretto: Ferdinando Saracinelli
First recording of the complete opera including reconstructed instrumental dances
Paul Van Nevel and the Huelgas Ensemble have recorded the first opera ever composed by a woman, an operatic jewel from the early Baroque era. Van Nevel has revised the score, providing accompaniment for each protagonist with individual colours and reconstructing all instrumental dances. Above all, he has brought to the fore the polyphonic influence of the Renaissance and the dramatic influence of the Seconda pratica on this opera, revealing the transition from Renaissance to Baroque. Richly expressive, with vivid recitatives, melodious arias and lively choral interjections, the opera was first performed by the Huelgas Ensemble in 2016 to an enthusiastic reception: "Such is the spell cast by this music that the listener almost forgets that this was once a gala opera for a state visit" (Süddeutsche Zeitung).
Tracks
Sinfonia. Nettuno: "Non perche congiaurati..."
Sinfonia. Melissa: "Cosi perfida Alcina..."
Ruggiero: "Quanto per dolce..."
Alcina: "Rimanti, o mio signore..."
Ruggiero: "O quanto è dolce..."
Sirena: "Chi nel fior di giovinezza..."
Melissa: "Ecco l'ora..."
Una della piante incantate: "Ruggier de danni asprissimi..."
Une della piante incantate: "Lasso, qual vista atroce..."
Nunzia: "Non so qual sia maggiore..."
Alcina: "Ahi, Melissa..."
Ruggiero: "Alcian, il pianto affrena..."
Ruggiero: "Deh! Taci omai, troppo..."
Sinfonia. Alcina: "Qual temerario core..."
Astolfo: "E come ohime..."
Ballo di otto Dame. Dame disincantata: "Versate occhi, versate..."